Critical Literacy

Anything that conveys meaning is a text - could be an image
Thinking deeper about visual art

Making meaning:

Level 3 - What is my kaupapa? Exemplar blog post

Level Three What is my kaupapa - exemplar blog post

I think most of you AVOIDED blogs last year, or did the bare minimum when pushed. I cannot stress enough the importance of documenting all of your thinking on your blog. This is your visual diary this year.

Your labels will be added as you write your first post like this. These labels will be five in total and you will be expected to use at least two each time you post:

3.1, 3.2, 3.3, 3.4(folio) and Art 2020. The following is an exemplar of what your first blog should look like in a total of 150 + words:

Make sure you answer the following in your post:

1) What is your field? 
2) Why are you working on this field
3) What well last year? what didn't go so well last year?
4) What are you planning to do differently?
5) What have your two brainstorms revealed so far? (add a photo of both of them)
6) Why did your teacher get you to make a digital mood board? (download it as a JPEG and insert it here too)
7) Identify something that is new to you from completing the mood board - like knowing about a particular artist for instance and making a connection now, to your kaupapa that is forming.
8) Who are the three artists (one from each of contemporary, traditional and Aotearoa) have you chosen? (insert TWO art images from each artist,  with name, date, media)
9) Why have you chosen these three artists? 

The above will form a paragraph that is an introduction. It outlines my field choice for the year and explains why you have chosen your theme to base your kaupapa upon. 

Before you publish, spell-check, get a friend to read it through and ADD labels, which you will make under the word labels on the right-hand side:

PD - Learn, Create, Share

https://docs.google.com/drawings/d/1rZThq-MckMn46qi52MNXWZOcyRKbevniLYPFQswASWc/edit
Google drawing showing all the digital tools that HHS use as part of the digital pedagogy

Digital expectaitons:
- be aware of your online profile - separate personal and professional with a very strict boundary
- all teachers need a teaching site following the LCS framework (see exemplar template)
- instead of reworking a new site just hide anything that you aren't using for the new year

How language shapes practice
- conversations about expectations
- listening to each member
- universal language

Anne Milne - 'Colouring in the white spaces'
https://vimeo.com/322150168

Gap between Euro/Asian learners and priority learners are widening (reading stats) - this gap is worrying. How can we be changing our digital practice for our priority learners

Wānanga

Level two - what is my kaupapa?

This is an example blog for 2020 to start you off.

I think most of you got the idea of the blogs by the end of the year and we have some great examples of blogging by the time you did. However, we want to start great and finish great this year. 

Your labels will be added as you write your first post like this. These labels will be five in total and you will be expected to use at least two each time you post:

2.1, 2.2, 2.3, 2.4(folio) and Art 2019

The following is an exemplar of what your first blog should look like in a total of 150 + words:

[My Visual Arts course this year will be focussed on painting (or photography or design, you choose this bit and adjust). I enjoyed painting last year because I felt like I could do it easily/is a challenge for me/will be the most useful tool to help me express my ideas/is a passion of mine (this is your thoughts, not mine, and there is no real wrong. But, here may be the odd cop-out, which we would rather not have). My kaupapa for the year will be based upon spiritual and cultural development. This is something that interests me because my family lineage is so mixed and generations back of my family denied a great deal of their own history in order to fit into pākeha dominated culture. I felt like it would be something that I could work on for an entire year.]

The above paragraph is an introduction. It outlines my field choice for the year and explains why I have chosen spiritual and cultural development to base my kaupapa upon. So far, for my actual 'post' as a student, I am at 111 words. 

[I have gone through the artists in my theme from the matrix on Ako and created my mood board here:]

From here, I have decided on Mick Namarari, Faith Ring gold and Robyn Kahukiwa as my artist models for 2.1. These artists will also help me get started with 2.2 which is also going to be the start of my folio.

I have just copied and pasted these artists off the matrix, which keeps the hyperlinks intact for my post. 

My kaupapa based on this theme is looking like this:

(Image of the brainstorm you will do in class inserted here). 

Typed words at this point are 184. However, when you take into account what you will have on your brainstorm it is likely to be closer to 250. 

(a summing up of what is on the brainstorm here will be useful)

Level One Art - What is my Art Kaupapa? (1st blog post exemplar)

Kia Ora Level One
This is an example of what I am expecting you to include in your first blog post. This will relate to your 'WHY' and will be your starting point for the year.


Step One: Choose your theme, mediums and create your moodboard from the matrix 
This year I will be focussing on Feminism and Equality as my kaupapa.

I have chosen this theme because it is something I identify with as a woman and as someone who feels strongly about just practices in our community.

The media I will work with are Paint and Design.

The two artists I have selected for 1.1 are: Lisa Reihana and Sofia Minson from list one, and Banksy and Shepard Fairey from list two.

Insert your Moodboard here. Make it (it will have 39 Artworks on it) and then download it as a JPEG. Inserting it into your blog from there should be easy. 

(Here is exactly what I mean for this, don't include this part in your blog, this is just to explain to you... I went to the AKO matrix for level one and collected up my Artist model mood board. Then I was able to clearly state that I was looking at the artists I have listed above. )


This is the matrix from the AKO section of our site. You MUST choose two artists from list one, two from list two and then one other from the third lists for 1.2 and 1.4. A total of five artists). 

Step 2: Choose your artist focus for 1.2 and 1.4:

The artist I am interested in for my kaupapa is John Heartfield.

Here are my notes about my thinking for my kaupapa (theme, what you like about it and what you think you can do with it):

(photo of your brainstorm here)

I want to use self-portraiture from selfies, river stones and lego pieces as my subject matter. I think I can show meaning and visual metaphors for my ideas with these three things.

This amount of writing is 130 words. It is the first post. It sets the scene. If you do only this much, you have reached our target. Add Labels on the right-hand side as clearly explained already! EVERYTHING needs to have at least 2 of those 4 labels this year. 

The Process of Painting - Acrylic

For those of you new to painting or if you needed a recap, we worked through the process of painting with acrylics today in class.

We looked at a simple sphere on a surface to specifically look at the skills of:

• Depth
• Perspective
• Proportion
• Tonal Range
• Shadows and Highlights

We also looked into the process of painting from thin to thick and dark to light

We started by COLOUR BLOCKING our tones in (either a warm of cold undertone to add depth). We did this by adding our gel medium to thin out our paints

- Use colour theory to sort your base colours - cool tones look far away, warm tones look closer to you. You are an illusionist with painting. - Once you have your base colours down, then you need to determine where the lights are and where the shadows are. NEVER use black paint at this point. If you really need it, use it at the end of your painting process, to strengthen the darkest areas only if necessary.- To mix a 'block' colour or dark shadow colour, look at the paints you have and select the darkest hues from opposite sides of the colour wheel and a tiny bit of yellow. That will usually result in a good dark tone. 

You don't need every colour in the universe on hand to paint, just the basics: red, yellow, blue, a nice clear purple helps (or magenta) and white. 

Build your paint up and paint with thicker paint than you would if you were using watercolour. less water and less paint is actually what you need. too much paint and you wont be in control. Same with too much water. 

You will be looking to build up careful layers, so if it's not quite right, so long as you haven't used too much paint underneath, you should be fine:

Remember to keep all your experiments as these will count as your evidence

Painting 2.2/2.3

These are the first practical standards we are aiming to complete. It is your starting point for the body of work that goes on your folio.



As you have developed your 'why', I have asked you to plan your folio. This was a rough plan, with thumbnail sketches.



In painting, planning like this will lead you to make art works:

Here is an example of some sketches we worked out with Kingston:
His why is:
Old school mafia in America - gangsters and romanticising them.

His artist models are:

James Rosenquist, "Day job painting"

Rosenquist
AskewOne











His subject matter is:
A man in a suit,
New York city
hands to wrap around the city
fingers in every pie (as the mafia had hold of new york)
Control through the force of guns

The first sketch on the top right is taking some compositional devices from Rosenquist - angles, cropping, images banging into each other and being cut off awkwardly, some layering of the subject, but no real space detailed.

The second sketch with the full figure is based on some Askew One ideas, where there is some layering of textures and lines that are almost abstract over and within the portrait. there seems to be a word used at the base of the askew one image, so we have attempted to play with that detail in Kingston's work here too.

Following on from here, It is Kingston's job to figure out a series of works that introduce his why more clearly and show how he is learning from his two artists.
The evidence he will collect as he goes:
- His brainstorm
- His subject matter as photographic or real sources (not out of his head)
- Notes and thoughts are written up on paper and on his blog
- Some careful observational drawing of his subject matter (3 - 4 A3 pages is good)
- His finished first series of paintings (at least 2 paintings)

Next step is to paint them and stick them on his board for the folio.